For centuries, Mathura and Varanasi remained
at the center stage of development. Both
these places reached near perfection in
stone carving, while maintaining their own
distinctive style. In the 3rd century B.C.,
the imperial court of Ashoka provided a
great boost to the art of stone carving.
The stupas and cave temples of this period
are perhaps the earliest surviving stone
structures. The red sandstone of Chunar
has been lavishly used in the stone sculptures,
which were found in excavations of the Mathura
and Agra areas dating back to the Mauryan
era.
Stone as the epitome of strength and beauty
The fascination for stone has transcended
all times and ages. Whether it is ornate
inlay with onyx black marble or finely latticed
soapstone, the appeal of the stone has been
immutable. Both Hindu and Muslim rulers
of India patronized this art. The craft
in Uttar Pradesh reached artistic heights
of excellence during the Mughal period when
Taj Mahal was created.
Nothing epitomizes best the ethos of Varanasi
and Agra than their stone carvings. From
intricate architectural masterpieces, perfectly
chiseled stoneware to classy tabletops with
inlay work, every item is a piece of exclusive
artwork.
A hub of stone carving on sandstone Uttar Pradesh is still a rich hub of stone
carvings on sandstone. The traces of royal
fascination for stone are still visible
in the intricately carved forts and palaces.
Now the focus has shifted to exploring a
variety of other stones and articles. Art
lovers can source architectural objects
to suit indoor parts of modern homes, such
as carved pillars, railings and fireplaces.
Present day craftsmen find small gifts and
souvenirs like candle stands, ashtrays,
jewelry boxes, and Taj replicas more in
demand.
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