Bihar is not only the holy land where Lord Buddha had attained the enlightenment, but it's also a place where different kinds of arts flourish. The
crafts have never veered from their user-friendly
motto. The hands behind each craft are tinted
with an understanding that their work is
no idle pleasure, either for them or their
clientele.
The emerald paddy fields and cluster of
village homes, ringed around the somber
waters of the village pond, are not the
highlights of a watercolor. Within the courtyards
of these dwellings, the women 'layer' material
for Soojini Embroidery work, underwriting
the many motifs and moods that dictate the
arts and crafts of Bihar. Instead of establishing an assembly line
production technique, the craft continues
to be a women's domain who popularize their
own crop of legends, natural ambience, and
traditional uses. That is why the crafts
of Bihar wear a rugged and authentic look
for the papier-mâché is not
polished to a sophisticated gloss, or the
stoneware made into a punch bowl or the
soojini stitch mass-produced. Yet the craft
has undergone changes brought on by a process
of assimilation into the world at large.
Madhubani Paintings
Few people have heard of the art of Madhubani
Painting practiced in the region of Mithila.
For centuries, the villagers had decorated
the mud-plastered walls of their homes with
the vivacious style of the Madhubani. Whenever
a festival was in the offing or when the
family gathered to celebrate the wedding
of a younger member, the women of the clan
undertook the task of decorating their homes.
A fresh coating of cow dung plastering was
applied on the walls and flooring of the
house. When the ochre surface took on a
silken smoothness, it was made the background
of a fascinating array of wall paintings. Every inch of the space was filled up. The
paintings had curvaceous floral borders
and in the center the favorite theme-the
marriage of Shiva and Parvati, was painted.
The art form is practiced even now in the
region though at the lesser scale.
Bangle Making
In Muzaffarpur, the principal city in this
domain, bangle making is a cottage industry,
in the truest sense, for every household
is a manufacturing unit of these lac turnery
beauties. The adjoining forests of the state
provide the basic raw material for bangle
making. With the help of simple domestic
fire, and vivid imagination, the craftsman
breathes life into roundels of lozenge pink,
flaming orange, brilliant vermilion, regal
purple or even dignified ochre circles,
to ornament the wrists of a bride. In fact,
there is a special ritual of bangle wearing,
where the bride-to-be is made to wear turmeric
colored bangles that are suitably embellished
with pieces of glinting mirrors, brilliant
tinsel and painted stripes. The other women
of the household too keep a large variety
of bangles to suit every outfit they plan
to wear for the occasion.
Stone Work
Bihar was the land of the Buddha's nirvana,
a land where he received the divine inspiration
to propagate Buddhist path of Middle Living.
The stone images of Gaya regenerate Lord
Buddha's messages. The pearly luster of
the gray-green stone provides an interesting
patterning on the image surface. The alternative
black variety, quarried from the adjoining
hills, is ideal for tableware. Stem handled
drinking glasses, smoothly turned out coasters
and large platters customarily used to serve
offerings to deities at temples, keep the
Gaya stone masons constantly innovating
and creating.
In recent times they have
veered from the traditional Buddha figurine
to that of the elephant god Ganesha.
Sikki Craft
the next lap of one's journey through
the craft world of Bihar, one stops to admire
and exult at the manner in which the wild
Sikki Grass, a virtual riverside weed, has
become a source of creativity for the Sikki
womenfolk. On their journey home after fetching
water from the pond or while returning from
a day's work in the paddy fields, they cut
bundles of the course reed and leave it
out in the sunlight till it dries and turns
supple. Then the golden strands are lashed
together into lengths of rope. Their tensility
is strengthened with a ring of the same
grass tied vertically in a close formation.
This stretch is then coiled into shapes,
ranging from a simple round box with a lid
to stylized ones stimulating an elephant,
a bird, a snake or a tortoise. The boxes
vary in shape and size. Again, not quite
satisfied with just a coil of unrelieved
silky gold, as is the natural texture of
the grass, the women embellish it with dyed
strands, woven into patterns of geometrical
intricacy, which add elegance to the simple
craft. |